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Grief in literature. --- Modernism (Literature) --- Subjectivity in literature. --- Women and literature --- History --- Plath, Sylvia --- Deuil dans la littérature --- Mourning in literature --- Rouw in de literatuur --- Subjectiviteit in de literatuur --- Poetry --- Criticism and interpretation --- United States --- 20th century --- Femininity in literature
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Beckett, Samuel --- 82.015.9 --- Literaire stromingen: postmodernisme --- Consciousness in literature. --- English prose literature --- Modernism (Literature) --- Self in literature. --- Subjectivity in literature. --- Irish authors --- History and criticism. --- 82.015.9 Literaire stromingen: postmodernisme --- Bewustzijn in de literatuur --- Conscience (Psychophysiologie et philosophie) dans la littérature --- Consciousness in literature --- Self in literature --- Soi dans la littérature --- Subjectiviteit in de literatuur --- Subjectivity in literature --- Subjectivité dans la littérature --- Zelf in de literatuur --- English literature --- Irish authors&delete& --- History and criticism --- Beckett, Samuel, --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Prose. --- Prose --- Authors [Irish ] --- Ireland --- Beckett, Samuel, - 1906- - Prose. --- English prose literature - Irish authors - History and criticism. --- Bikit, Sāmūʼil,
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This study engages with the troubled question of authorial subjectivity and ethics in Modernism in general and in Conrad's short fiction in particular, and offers an original theoretical perspective, inspired by the work of Derrida and the early philosophical writings of M. M. Bakhtin. Part One of the book focuses on the relational dynamics in 'Under Western Eyes' and 'The Secret Sharer', and develops a 'heterobiographical' reading matrix, which serves as a psycho-textual and philosophical approach to modes of authorial presence in the text. Part Two offers close readings of ten short stories spanning the whole of Conrad's career and clustered into five chapters--'Writing and Fratricide', 'The Pathos of Authenticity', 'The Poetics of Cultural Despair', 'The Romantic paradox', and 'Addressing the Woman'. This part of the book engages with the interpretative problems posed by these stories through a cultural-historical perspective, linking Conrad's essentially Romantic sensibility and his unique position on the threshold of Modernism with some of the issues that have emerged from the 'Postmodern turn': the relationship between metaphysics and subjectivity, the conception of inter-subjectivity as prior to and constitutive of subjectivity; the permeability of textual and psychological boundary-lines; and the desire for subjective aesthetization. These issues, which can all be traced back to the cultural crisis of the turn of the century, are still with us at the close of the millennium.
Ethics in literature --- Ethiek in de literatuur --- Ethique dans la littérature --- Kortverhaal --- Nouvelle --- Novelle --- Short story --- Subjectiviteit in de literatuur --- Subjectivity in literature --- Subjectivité dans la littérature --- Modernism (Literature) --- Short stories --- Story, Short --- Authorship --- Fiction --- History and criticism --- Conrad, Joseph, --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph, --- Criticism and interpretation. --- Conrad, Joseph --- Criticism and interpretation --- England --- Conrad, Joseph, - 1857-1924 - Criticism and interpretation. --- Conrad, Joseph (1857-1924) --- Modernisme (littéraure) --- Morale --- Subjectivité --- Critique et interprétation --- Grande-Bretagne --- Dans la littérature
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